Kan'Nal

topic posted Fri, July 28, 2006 - 9:40 AM by  noiz23
Hey All,

I wanted to send a reminder out... Don't miss this amazing show. Come dress up and dance. dance. dance. AMO tribe will be in the house, so you knwo it's going to go off!

Kan’Nal/ Our Time In Space @ Avalon Friday, Aug 4 2006

$10 tickets are available at Orion's or any Graywhale CD or Smithstix locations across the Wasatch Front. $15 at the door. All Ages.

Doors: 8:00
Show: 9:00

Avalon Theater
3605 S State Street
Salt Lake City, Utah 84115
801-266-0258

Kan’Nal
www.kannal.org
(Kan'Nal's website has video of them playing live - check it out)

The Washington Post
"Dreamwalker" by Michael Deeds

"It's a rare CD that makes you want to rub sticks together in your back yard, yank off your clothing and howl at the moon while cavorting around a crackling bonfire. Kan'Nal's "Dreamwalker" has that effect"

The Rock and Roll Report
"Kan'Nal in Concert" by Don Bain

"The music snakes into the crowd, connecting with and compelling many to move with its magic.... this group of wanderers... are likely to be as much a part of this 21st century phenomenon as the Rolling Stones and Beatles were to the social revolution of the ’60s. "

Our Time In Space
myspace.com/ourtimeinspace

Our Time In Space stem from a less epic branch of the prog-rock family tree. This Is … is five tracks of cosmic math jams appealing to the inner geek in all of us. While some of the chord structures are a bit tired (i.e. the simple hook on “Suenos Malos”), extended segues into layered echo-effect are downright hypnotic. Angular guitars and soothing falsetto help mix things up, peppering shoe-gazer melodies that might otherwise drag down an EP well worth your while. (City Weekly Review)

From their own biography on www.kannal.org...

Primal rhythm, swirling dancers, ancient instruments and futuristic technologies blend with mythic archetypes and alternative rock to create a musical, visual, sensual experience. Kan’Nal’s “Shamanic Rock,” documented on their Sony Red debut, Dreamwalker, conveys the power of these spectacles.

For years, songwriter/vocalist Tzol was drawn to explore Mexico and Central America. On one particular journey in early 2001, Tzol met guitarist Tierro in the village of San Marcos on the magical lake Atitlan. Writing songs and performing together in Guatemala inspired them to capture their vision on an album.

After recording the first Kan’Nal CD in Tierro’s hometown Toronto, the two returned to lake Atitlan the following year. At their very first show, they were joined by songwriter/bassist Rodolfo Escobar and performance artist Teresita Hinojosa. With this addition Kan’Nal gained a new visual and mystical dimension. Living together near the lake, all four drew inspiration from the beauties and hardships that surrounded them.

One by one the group encountered the others destined to join their tribe. Aaron Jerad, another traveler on “La Ruta Maya,” came into the picture while they were visiting the Yucatan peninsula. His foundational percussion and solid didgeridoo playing added further elements of trance and rhythm Leaving Mexico they added Gilly Gonzalez, whose ferocious drumming had made him a figure of legend in Texas. Completing the circle, artist and dancer Akayate joined the band in Colorado. Her gift for costume design and movement enhanced the band’s visual and storytelling elements.

The music... the dances… the story-songs proclaim “tear down the borders…unite the colors… bring down the fire and walk as one” (“Gypsy”) and demand “shake my bones ‘til they shatter/shake my soul like a rattle” (“Desert Flower”) These are the cries that have flown over the Nevada desert at Burning Man, sounded from the Rockies at Dreamtime in Colorado, and echoed through the Earthdance Festival in California, drawing thousands of listeners to join Kan’Nal on their journey.

One people, one color, one earth.
posted by:
noiz23
SF Bay Area

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